Martin Scorsese and The Irishman

Martin Scorsese’s new film The Irishman has been out in theaters since the beginning of November, which you probably know unless you’ve been hiding under a rock (or were buried under Giants Stadium). Scorsese’s story follows the life of mob fixer Frank Sheeran and his close relationship with mob boss Russell Bufalino and Jimmy Hoffa, the Teamsters leader. The movie’s release is the perfect time to talk about Scorsese and his work, and explore exactly where The Irishman takes us. Film Comment Editor-in-Chief Nicolas Rapold is joined by Shonni Enelow, associate professor at Fordham University and author of Method Acting and Its Discontents; Molly Haskell, critic and author whose books include From Reverence to Rape: The Treatment of Women in the Movies and Steven Spielberg: A Life in Films; and Film Comment regular Michael Koresky, co-editor of the Reverse Shot book, Martin Scorsese: He Is Cinema.

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Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.