Phantom Thread

“In Paul Thomas Anderson’s work, love can be—quite literally—a miracle,” writes Sheila O’Malley in her January/February 2018 Film Comment cover story, “Love, After a Fashion.” “People are scarred by life, their emotional resilience decimated by disappointments and neglect. But sometimes love is offered and, as Blanche DuBois says, famously, in A Streetcar Named Desire: ‘Sometimes—there’s God—so quickly!’ That’s the redemptive romantic journey of Phantom Thread, where Reynolds says to Alma at one point that she may very well keep his ‘sour heart from choking.’” Of course, Phantom Thread is no familiar story of redemption through romance. O’Malley joins FC Digital Producer Violet Lucca on this week’s Film Comment Podcast to discuss its beguiling, and even radical, twist on a love story.

Om Podcasten

Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.