Breathe Open: Shabaka

When Shabaka hung up his tenor saxophone in favor of bamboo flutes, the world reacted with a mix of admiration and puzzlement. Over the last decade, as Shabaka Hutchings, he had steadily built a reputation for rampaging fervor on tenor, fueling the fires of a new-breed London jazz scene. His remarkable new album, Perceive Its Beauty, Acknowledge Its Grace, drifts in another direction — more contemplative and interior, suffused with flickering calm. During this year’s Winter Jazz Fest, we caught up with Shabaka at Public Records in Brooklyn, and had a far-reaching conversation about this new direction, his motivations, and the challenge of making such a decisive pivot. Naturally we also talked about André 3000, another high-profile flute obsessive, and an eager new collaborator. You’ll also hear Greg and Nate reflect on this soothing new turn in the music often branded “spiritual jazz,” and what it says about our present moment. Breathe In: New Music Friday for April 12, from NPR Music Album review in Pitchfork, by Hank Shteamer NY Times profile, by Hugh Morris Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

Om Podcasten

Jazz is a conversation — and that’s what The Late Set is all about. Originated by critic Nate Chinen and broadcaster Greg Bryant, the show now convenes Chinen and Josh Jackson twice a month for perceptive variations on a theme, and their related interview with a special guest. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.