Re-ReleaseEp. 48 - Anselm Kiefer's "Margarete" and "Sulamith" (1981)

A year ago today, we released our most ambitious episode yet: an exploration of postwar German artist Anselm Kiefer's layered, dense, enormous canvases that themselves respond to the enormity of Holocaust survivor Paul Celan's layered, dense poem, "Todesfugue." In honor of it taking the gold in podcasting at the American Alliance of Museums' MuseWeb awards, we're re-releasing the episode, and with it the layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable. This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com. See the images: bit.ly/31gUSwW Music used: The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike” John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List” Support the show: www.patreon.com/lonelypalette AAM MuseWeb award press release: https://bit.ly/37hItwi

Om Podcasten

Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. For more information, visit thelonelypalette.com | Twitter @lonelypalette | Instagram @thelonelypalette.