From audition to booking - The perfect studio setup part1
Not everyone is mixing a Grammy award-winning masterpiece in their studio. Perhaps you just want to be able to record a half-decent audition, or some may want to be able to record a voice over but don't want to go to the expense of a full-blown studio. Then there are those who see it as an "all-in" decision. So what is the best value set up, and what should you spend your money on, and what's not so important. This week our panel scratch their heads and compare notes on their personal choices for setups at varying price points. Don't forget to like our Facebook page and if you have a question of your own you'd like us to answer, post it there and we will answer it as best we can. You'll also find us on the web at theproaudiosuite.com The Pro Audio Suite Podcast copyright George Whittam, Andrew Peters, Robert Marshall & Darren Robertson. The Pro Audio Suite has kindly been supplied with gear from Rode microphones. We would like to thank them for their involvement with our show, and their generosity. You can see the complete list of their gear here. @rodemic @rodemics Rode on Linkedin https://www.linkedin.com/company/rode-microphones/ All products or companies we discuss are not paid endorsements. It’s just stuff we like, think is cool and may be of interest to you our listeners. “When the going gets weird, the weird turn professional.” ― Hunter S Thompson