Grady Hendrix’s Insights on Writing
In the latest Books with Hooks, Carly and CeCe each critique two queries and discuss pitching only one genre; having a solid reason that a story takes place in near-history; POV changes within a single chapter; when a query sounds more like a synopsis; opening with a daydream; sucking the agent in with curiosity and tension; needing to be the best in a busy category; using an elevator pitch; dialing down the setup and characterization details in a query; and which character readers connect to first in a multi-POV novel.After which, Bianca chats with Grady Hendrix, author of How to Sell a Haunted House, about the horror genre; how horror can open up conversations about the darker side of death and how we process it; what it is about the south that lends itself to gothic novels; horror genre conventions and tropes; establishing a stasis; writing what you know; writing the antagonist; and why it’s important to have humour infused along with the dark stuff.This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/WRITING and get on your way to being your best self.Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writingFacebook: @tsnotyawWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comGrady can be found at www.gradyhendrix.com, on Twitter @grady_hendrix, and on Instagram @gradyhendrix.Advertising Inquiries: https://redcircle.com/brands