How the Original Pitch Copy and Framing Device Can Change During Edits
In today’s special episode of Books with Hooks, Carly and CeCe welcome author Rachel Kapelke-Dale and her agent Sarah Phair to offer feedback on three query letters from members of the Books with Hooks Book Club. During the chat, they address how withholding information at the start of a story can create tension, not starting a story with descriptions on the weather (and how that is like wearing capri pants), and how reading a book out loud can help with proofreading. After which, CeCe chats with Rachel Kapelke-Dale, author of THE BALLERINAS, and her agent Sarah Phair about how Rachel and Sarah started working together; the original pitch copy and framing device for THE BALLERINAS and how both changed over several rounds of edits; how the author might now know what genre they’re writing in until they finish the story and how comp titles can help with figuring it out; and how weaving in significant and active foreshadowing from the very first page can elevate a story. Find us on our socials: Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing Facebook: @tsnotyaw Website: www.biancamarais.com Rachel can be found at @rkapelkedale on Twitter and @rachelkapelkedale on InstagramSarah can be found at @SarahPhair on Twitter and https://www.greenburger.com/agent/sarah-phair Show notes link: https://us.macmillan.com/books/9781250834560/theingenue Advertising Inquiries: https://redcircle.com/brands