The Chatty Conclusion Of The Angry Marco's Discourse: PURGATORIO, Canto XVI, Lines 130 - 145

Marco of Lombardy's time in COMEDY comes to an end with a chatty back-and-forth between him and the pilgrim Dante. Dante wants to compliment Marco on creating such a great argument (the one, that is, that Dante the poet created!) but Marco's only answer seems to be irritation and an abrupt dismissal.Join me, Mark Scarbrough, for a fascinating deep dive into the end of PURGATORIO, Canto XVI.If you'd like to help underwrite the many fees associated with this podcast, please consider donating a one-time gift or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:33] My English translation of the passage: PURGATORIO, Canto XVI, Lines 130 - 145. If you'd like to read along or continue the conversation with me, please find this episode on my website, markscarbrough.com.[03:10] The pilgrim Dante disallows land holdings for the papacy, based on Marco's reasoning.[05:45] PURGATORIO, Canto XVI returns to Torah at its end, offering the argument deep, long-standing ballast.[08:00] Gaia, Gherardo's daughter, has long been a troubling figure in commentary.[10:45] What does this conversational coda to Marco's disquisition on free will do for the poem COMEDY as a whole?[13:23] Why do the penitents work through anger in a lightless smoke?[16:14] Rereading the passage: PURGATORIO, Canto XVI, lines 130 - 145.

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Ever wanted to read Dante's Divine Comedy? Come along with us! We're not lost in the scholarly weeds. (Mostly.) We're strolling through the greatest work (to date) of Western literature. Join me, Mark Scarbrough, as I take on this masterpiece passage by passage. I'll give you my rough English translation, show you some of the interpretive knots in the lines, let you in on the 700 years of commentary, and connect Dante's work to our modern world. The pilgrim comes awake in a dark wood, then walks across the known universe. New episodes every Sunday and Wednesday.