S6 Halloween Episode With Tunes by James Moyar

S6 2022 Halloween Episode With Tunes by James Moyar Tunes: From James Moyar: She Moved Through The Fair, At My Wake, 1791: From The Celebrated Circus Tunes Performed at Edinburgh this season, With the additions of some new reels and strathspeys set for the piano forte or violin and bass: John Watlen: The Milliner’s House in the Pantomime “The Fairy’s Triumph”, Seige of Belgrade by the Little Devil From Barry Shears: The Mermaid and the Sea Monster, I Can’t Get a Grant Rant, John G. Dally, Mrs. Evelyn Shears, Cuir ‘sa Chiste Mhoir Mi (Put Me in the Big Chest), The Ale is Dear, From Jeremy’s Memory: Piper’s Warning to His Master Oliver and Company: Oscar’s Ghost From Campbell (Albyn’s Anthology): Young Benjie Peter Bellamy: Mountain Streams Where the Moorecocks Crow Thanks James for your songs and Tunes. For the Bagpipe Swag deal: https://www.instagram.com/p/CjRnekIscuq/ “For October, only, I've set up a special-run printing of our, "Memento Mori - Meanwhile Make Music," design. Halloween-orange on soft, comfy black t-shirts and big, fancy 15oz mugs. What's more: I've cut the price to where some of these orders are actually going to COST me a few pennies: $15/shirt and $11/mug! We're literally giving these things away! October, 2022, only: Shirt -- https://www.bagpipeswag.com/product-page/october-2022-special-memento-mori-meanwhile-make-music Mug -- https://www.bagpipeswag.com/product-page/october-2022-special-memento-mori-meanwhile-make-music-1 What's more: anyone who buys a shirt and/or mug and posts a photo with it, (just remember to tag @bagpipe.swag ) will be entered into a drawing for a $45 BagpipeSwag.com gift card on November 1st!” Tunes: From James Moyar: She Moved Through The Fair, James said of this track: “She Moved Through the Fair” played on Walsh polypenco 4-drone Scottish small pipes tied into a quiet piper bag, D-chanter, synthetic reeds, with singing. First known instance of transcription: “Irish Country Songs,” 1909, Padraic Colum. Alternative titles include, “Our Wedding Day”. I’ve heard versions of the lyrics that end, “happier,” with her not being dead and them getting married. I skipped a verse or two to make this recording shortER than it could be, though it’s still pretty long. This is the first song I learned to sing with pipes, by listening to Judy Barker’s Chanters Weave album a lot, and following the arrangement in Timothy Cummings’ “How Can I Keep From Singing,” collection, though I’ve done it so many times that at this point I think this is at least kinda-unique. I do like messing with the lyrics to get as much alliteration as possible…. But a tune as old and as popular as this one has sooooo many renditions floating around, it’s hard to imagine that there’s a lot I could do with it at this point that would be truly, “original”. From James: Death and the Sinner James said of this track: played on Booth Blackwood Drones, Bordeaux Redwood reeds, tied into a gangway hide bag, with Warnock chanter that’s been altered to allow for, “extra notes”. In this case, the extra notes are a G#, high-B, and high-C# Alternative titles include, “Cold in my Coffin,” and, “The Night of my Wake” - all really awesome titles, though, “Death and the Sinner,” is my personal favorite. I first heard it on Uilleann pipes here, and immediately fell in love with the melody. I was really excited to find that it worked on this altered chanter. One version of the lyrics goes like this: The night of my wake there will be pipes and tobacco, With snuff on a plate on a table for fashion's sake; Mold candles in rows like torches watching me, And I cold in my coffin by the dawn of day. +X+X+X+X+X+ From Watlin’s Celebrated Circus Tunes 1791: The Milliner’s House in the Pantomime “The Fairy’s Triumph”, Seige of Belgrade by the Little Devil From The Celebrated Circus Tunes Performed at Edinburgh this season, With the additions of some new reels and strathspeys set for the piano forte or violin and bass: By John Watlen: https://archive.org/details/Shand11/page/n100/mode/1up?view=theater From Legacy By Barry Shears 2022: The Mermaid and the Sea Monster By Barry Shears 2022: I Can’t Get a Grant Rant 2022: John G.Dally & Mrs. Evelyn Shears You can and Should Pick up Barry’s Book Here: https://capebretonpiper.com/ +++X+X+X+X+++ A Piper’s Warning to his Master You can see several settings for this tune in this excellent PDF: https://www.pipesdrums.com/wp-content/docengines/A51191C54453471192974BB509421138.pdf Here is a link to the Documentary Brian May first shared last year when I included this on the Bonus Episode: https://www.dailymotion.com/video/x81u9f2 You can find many different youtube videos about the affair of questionable and varying quality. +++X+++X+++X+++X+++X+++X+++ Oscar’s Ghost 1806: Oscar’s Ghost from Caledonian Musical Repository: a choice selection of esteemed Scottish songs, adapted for the voice, violin, and German flute. Published by Oliver and Company https://digital.nls.uk/special-collections-of-printed-music/archive/87663987 +X+X+X+X+X+X+ Cuir ‘sa Chiste Mhoir Mi (Put Me in the Big Chest), The Ale is Dear From Barry Shears. Put Me in the Big Chest is from Play it like I Sing It Vol. 2 Ale is Dear if from Legacy You can and Should Pick up Barry’s Book Here: https://capebretonpiper.com/ +X+X+X+X+X+X+X+X+ Young Benjie 1816: Young Benjie, A Border Ballad From Albyn’s Anthology by Alexander Campbell https://babel.hathitrust.org/cgi/pt?id=nc01.ark:/13960/t5s77tq6m&view=1up&seq=47&q1=a%20border%20melody +X+X+X+X+ Mountain Streams Where the Moorecocks Crow For some good information check out this site: https://mainlynorfolk.info/peter.bellamy/songs/themountainstreamswherethemoorcockscrow.html Or here: https://www.vwml.org/roudnumber/2124 +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! 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This show is (mostly) a bi-weekly podcast that explores the likely repertoire of eighteenth and early nineteenth century bagpipers, using historic music collections (written for bagpipes or not), performed on Uilleann pipes, Highland pipes and whistles. Every episodes notes include links to the historic sheet music when available. For information about my Albums Oyster Wives Rant, and Pay the Pipemaker go here: https://www.wetootwaag.com/albums For information about Jeremy and the instruments played on the show go here: https://www.wetootwaag.com/about