S7 E09 Cock Up Thy Beaver (Rerun)

+X+X+X+ Cover Art from David Allan’s Lead Processing at Leadhills: Weighing the Lead Bars from the 1780s showing a Blue Bonnet and a Cocked hat. Courtesy of National Galleries Scotland: https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars 1686: John Playford, Dancing Master rendition of Johnny Cock thy Beaver here: https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif This whole database was helpful: https://www.cdss.org/elibrary/dancing-master/Index.htm 1900: I would not have known to look here were it not for John Glen’s monumental work on early Scottish melodies, if you hadn’t noticed it is Glen’s collection that makes up much of the archival copies of these texts I rely on: https://digital.nls.uk/special-collections-of-printed-music/archive/91349758 ?: Carolan’s Setting for Variations came likely from Donal O'Sullivan's work of tunes actually composed by Turlough O’Carolan (b.1670-d.1738) I got the transcription (and apparently also a key change) on Vince Brennan’s remarkable website, with ABC copies of all the tunes: http://www.oldmusicproject.com/occ/tunes.html Note this setting is likely not Carolan, also, that you shouldn’t say the “O’” before Carolan’s name if you’re speaking English. 1733: William Dixon’s Watty’s Away: https://www.mattseattle.scot/product-page/the-master-piper-new-edition 1750ish: James Oswald’s Setting for Johnny Cock-up thy Beaver: https://digital.nls.uk/special-collections-of-printed-music/archive/94599108 1792: Scots Musical Museum (Robert Burns Song) https://digital.nls.uk/special-collections-of-printed-music/archive/87798244 1757: Bremner’s Setting for Scots Bonnet: https://digital.nls.uk/special-collections-of-printed-music/archive/105002603 1807-1810: O’Farrell’s setting of The Blue Bonnett: http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf It is tune 17 on the PDF You can read through the fascinating discussion of Beaver and links to many newspaper articles from the early 20th century here on the English Language and Usage Stack Exchange forum: https://english.stackexchange.com/a/503590 June 1922: Missouri Newspaper: Cambridge Students Pride themselves on their whiskers https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22 October 1922: Washington Newspaper: King George may need to shave https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22 December 1922 Washington Newspaper: Beaver near extinction because of the Beaver Game: https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22 “Looking For Whiskers Bearded men find themselves unwontedly popular at Cambridge just now. They are gravely or hilariously saluted by undergraduates with cries of ‘Beaver!’ This is part of a game which the young wits of the University have devised in which pointes are scored by the player who first sights a bearded person. From Gloucester Citizen, Gloucester, England, Wednesday May 17, 1922 Volume 47, 115 From the Evening Telegraph (Dundee, Scotland) Tuesday october 3, 1922 Day By Day “There is absolutely no truth in the story that when a Royal figure wearing a beard entered a Cambridge function the undergraduates rose to their feet as one and shouted, ‘Royal beaver game, set, match.” “When Aussies wore Whiskers from Thursday Aug 2, 1934 Gloucester Citizen, talks about men wearing beards being scorned by barbers, and harassed on the street by cries of Beaver. Jan 20, 1941 Gloucester Citizen, “Ban on ‘Hitler’ Moustache but ‘Beavers’ are Popular Discusses how beards fell out of fashion, but are back in for military personnel after WWII. You can see the “Beaver!” Limerick printed here in the Wordsworth Book of Limericks: https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up? You can see several of the Mid-19th Century Bonny Black Hare Broadsides here, Courtesy of the Bodleian Libraries: http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare Interesting discussion of Bonny Black Hare from AL Lloyd and others that popularized singing it during the British Folk Revival: https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html I have lost several hours to Grosse’s 1811 Dictionary of the Vulgar Tongue: http://www.gutenberg.org/cache/epub/5402/pg5402-images.html Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! 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This show is (mostly) a bi-weekly podcast that explores the likely repertoire of eighteenth and early nineteenth century bagpipers, using historic music collections (written for bagpipes or not), performed on Uilleann pipes, Highland pipes and whistles. Every episodes notes include links to the historic sheet music when available. For information about my Albums Oyster Wives Rant, and Pay the Pipemaker go here: https://www.wetootwaag.com/albums For information about Jeremy and the instruments played on the show go here: https://www.wetootwaag.com/about