Steve Wright and other great radioheads, McCartney’s bass & the non-profits of Python

Pausing occasionally to spark a Senior Service and sink a milk stout, we kick cans down this week’s rock and roll boulevard stopping off at the following hotspots …    … the “Grunge Dripdown”: why Pearl Jam can play 60,000 seaters. … the Elton Line, the Dury Line, the Bragg Line, the Kirsty Line …. What the London Overgrounds should have been called and why. ... how Steve Wright made radio and sowed the seeds of the Fast Show and Stella Street.  … actors who’ve joined the Choir Invisible but live on in voice-over. … is any musician as closely linked to any instrument as McCartney to his Hofner bass? And the mysterious tale of its theft. … J&M Studios (where Little Richard’s Tutti Frutti was recorded) is now a launderette with a jukebox. What became of Olympic, Town House, Motown and Bearsville? … the Radio 2 v Greatest Hits ratings land-grab. … does anyone under 60 still care about Monty Python? … the latest glorious chapter in Taylor Swift and Kanye West’s 15-year “beef”.… “All pop music is Strictly”: what David learnt from his six-year old granddaughters. … the voice of Tommy Vance returns by the miracle of AI. … “an elephant is a horse designed by a committee”. ... plus birthday guest Nick Foreman and why “underrated” is overrated.Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, alongside a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Om Podcasten

Mark Ellen and David Hepworth have been talking about and writing about music together and individually for a collective eighty years in magazines like Smash Hits, Mojo and The Word and on radio and TV programmes like "Rock On", "Whistle Test" and VH-1.Over thirteen years ago, when working on the late magazine The Word, they began producing podcasts. Some listeners have been kind enough to say these have been very special to them. When the magazine folded in 2012 they kept the spirit of those podcasts alive in regular Word In Your Ear evenings in which they spoke to musicians and authors in front of an audience. Over these years they've produced hundreds of hours of material. As of the Current Unpleasantness of 2020, they've produced yet hundreds of hours more with a little help from guests kind enough to digitally show them around their attics such as Danny Baker, Andy Partridge, Sir Tim Rice and Mark Lewisohn. For the full span of the Word In Your Ear world, visit wiyelondon.com. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.