WCA #238 with Clint Bennett - 90's San Francisco, moving to LA, Proving Himself, Persevering, Union Benefits, and Not Taking Opportunity's for Granted

Clint Bennett lives in Los Angeles, CA and works in the film & television industry as a music editor. He’s recently worked on such films as Blade Runner 2049, Arrival, Godzilla: King of the Monsters, Kong: Skull Island, Widows, Bad Times at the El Royale, New Girl & The Cabin In The Woods. He began his professional career in the 90’s San Francisco music scene playing in bands and working as a freelance recording engineer. The transition to the film industry began with his move to Los Angeles in 2000.  Links and Show Notes: P&E Wing Technical Guidelines: https://www.grammy.com/technical-guidelines Clint on IMDB: IMDB Clint on Allmusic: https://bit.ly/30markS Working Class Audio Journal: https://amzn.to/2GN67TP Current sponsors & promos: https://bit.ly/2WmKbFw Credits: Host: Matt Boudreau  Guest: Clint Bennett WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith Editing: Anne-Marie Pleau & Matt Boudreau Additional Music: The License Lab

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The Working Class Audio Podcast pulls back the curtain on the professional recording world. Host and audio engineer Matt Boudreau talks with guests from music, film, games, restoration, and beyond—diving into their real-world journeys. No fluff, just honest conversations about the wins, losses, money, collaboration, and survival strategies that define a career in audio. It's recording life from a working class perspective.