PODCAST – 10 Cloverfield Lane: Everything Possible Must Happen
Where we want to be looking is inside the content of the screenplay itself. We want to be looking inside of what we’ve already written to figure out where we need to go.
All of the answers for where we need to go in your story already exist in the initial pages of your screenplay. The structure of your movie can grow organically simply by looking at the things that exist in your story, and saying, “If this is true, what else must also be true? And if this is true, what else must also be true? And if this is true, what else must also be true?”
In this context, by the time we make it to the end of the movie, in some way, everything possible must happen…
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